One of the main themes in Of Human Bondage is the concept of ambivalence and how we are simultaneously attracted to and repulsed by people, objects, thoughts, and actions. Although this was not a new concept in 1914, in the hands of Maugham it was raised to such a pitch of literary perfection as to stand as his most precious contribution to the art of writing fiction.

Maugham thought of himself essentially as an entertainer, not as a moral philosopher or preacher of virtue. There is in his work an objective cynicism that is almost shocking at times. His frank description of Philip Carey's innermost thoughts and Mildred Roger's callous disregard for anything that did not contribute to her narrow sensuality is almost embarrassing to encounter. But in the end, it is as an entertainer that we enjoy Maugham. His lively conversations and vivid descriptions will keep you listening in fascination.

In Volume 2, Philip's relationship with Mildred continues its roller coaster ride of passion and betrayal until it finally comes to a dramatic end amid heartache and deceit. Meanwhile, Philip's medical studies suffer. His bank account fares little better, and his medical career is threatened as a result. In order to save himself from total catastrophe, Philip has to take a loathsome job and pray for a miracle to get him back on track. That miracle arrives in the form of a former patient of his. But before the sun can shine on him once more, Philip has several unexpected hurdles to overcome.

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